"Crudel, perche mi fuggi" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on September 1, 2003. The duration of Crudel, perche mi fuggi is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Crudel, perche mi fuggi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 2 (Il Secondo Libro De' Madrigali, 1590)" album is number 17 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Crudel, perche mi fuggi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Crudel, perche mi fuggi by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anima mia, perdona | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | D Minor | 1 | 7A | 129 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 116 BPM | ||
Stabat Mater: Quando corpus morietur… Fac ut animae donetur | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 2 | 6A | 89 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Fago: Confitebor tibi Domine: III. "Fidelia omnia mandata ejus" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 135 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM |