"The Passing of the Year: No. 4. Hot sun, cool fire" by Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris was released on March 6, 2012. The duration of The Passing of the Year: No. 4. Hot sun, cool fire is about 3 minutes long, at 3:11. Based on our data, "The Passing of the Year: No. 4. Hot sun, cool fire" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 16 in Dove: The Passing of the Year by Jonathan Dove, Convivium Singers, Neil Ferris. The Passing of the Year: No. 4. Hot sun, cool fire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Passing of the Year: No. 4. Hot sun, cool fire by Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Regina Coelorum | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 0 | 6B | 74 BPM | ||
Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 129 BPM | ||
Cantate Domino (Motette): 2011 | Josu Elberdin, Stephanie Arden, Marianne Zabel, Kammerchor I Vocalisti, Hans-Joachim Lustig | A Major | 1 | 11B | 99 BPM | ||
Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward) | Jonathan Dove, David Parry, London Philharmonic Orchestra, Steven Page, Anne Mason, Mary Plazas, Richard Coxon, Garry Magee | E♭ Minor | 0 | 2A | 169 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) | Craig Hella Johnson, Conspirare | F Major | 0 | 7B | 112 BPM | ||
I Am the Song / Birth | Jonathan Dove, CBSO Chorus, CBSO Youth Chorus, CBSO Children's Chorus, Joan Rodgers, City Of Birmingham Symphony Orchestra, Simon Halsey | G Major | 3 | 9B | 87 BPM |