"Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise)" by Craig Hella Johnson, Conspirare was released on September 9, 2016. The duration of Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 16 out of 33. In terms of popularity, Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) by Craig Hella Johnson, Conspirare to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70: "Oh Rest in the Lord" (Aria) | Felix Mendelssohn, Sarah Connolly, Paul McCreesh | C Major | 0 | 8B | 140 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Freedom Song | Robert Kyr, Conspirare, Craig Hella Johnson, David Farwig, Rick Gabrillo | E♭ Major | 3 | 5B | 101 BPM | ||
Still With Thee | Elaine Hagenberg, Faith Builders Chorale, Brandon Mullet | F Major | 1 | 7B | 108 BPM | ||
Considering Matthew Shepard: Passion, 8. Recitation III | Craig Hella Johnson, Conspirare | E♭ Minor | 1 | 2A | 91 BPM | ||
Considering Matthew Shepard: Prologue. We Tell Each Other Stories | Craig Hella Johnson, Bailey Galindo, Texas State Chorale, Joey M. Martin | F Major | 5 | 7B | 122 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
One Voice - Live | Ruth Moody, Conspirare, Craig Hella Johnson, Kathlene Ritch, Charles Wesley Evans, Mela Dailey | D Major | 1 | 10B | 118 BPM |