"Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Steven Page, Anne Mason, Mary Plazas, Richard Coxon, Garry Magee was released on April 1, 2004. The duration of Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act III: I flew back immediately. I'm not angry (Minskman, Minskwoman, Tina, Bill, Steward) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Steven Page, Anne Mason, Mary Plazas, Richard Coxon, Garry Magee is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ unser Herr zum Jordan kam | Jonathan Dove, Thomas Corns | A Minor | 0 | 8A | 73 BPM | ||
3 Sacred Hymns: No. 1, Ave Maria | Alfred Momotenko, Latvian Radio Choir, Sigvards Kļava | B Major | 3 | 1B | 96 BPM | ||
I Will Lift Mine Eyes | Jake Runestad, Seraphic Fire, Patrick Dupre Quigley | D♭ Major | 1 | 3B | 78 BPM | ||
Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 88 BPM | ||
In Damascus: III. Two Days Ago | Jonathan Dove, Mark Padmore | E♭ Major | 0 | 5B | 138 BPM | ||
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
To the Hands: No. 5. Litany of the Displaced | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 92 BPM | ||
Pilgrims' Hymn | Stephen Paulus, Utah State University Chamber Singers, Cory Evans | F♯ Major | 0 | 2B | 75 BPM | ||
Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM |