"Mass for Double Choir: II. Gloria" by Frank Martin, Westminster Choir, Joe Miller was released on September 21, 2018. With this song being about 5 minutes long, at 5:28, "Mass for Double Choir: II. Gloria" by Frank Martin, Westminster Choir, Joe Miller is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Westminster Choir, Joe Miller's "Martin: Mass for Double Choir" album is number 2 out of 9. Mass for Double Choir: II. Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass for Double Choir: II. Gloria by Frank Martin, Westminster Choir, Joe Miller to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Pace | Casper Clausen, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy | C Major | 4 | 8B | 140 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Songs of Ariel (from Shakespeare's "The Tempest"): II. Full fathom five | Frank Martin, Phoenix Bach Choir, Charles Bruffy, Jacob W. Herbert | F♯ Minor | 0 | 11A | 103 BPM | ||
Mass brevis in C major, K.220 "Sparrow Mass": Gloria | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Ann Monoyios/Elisabeth Graf/Oly Pfaff/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum Köln, Collegium Cartusianum | C Major | 2 | 8B | 117 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu | Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | E♭ Major | 2 | 5B | 101 BPM | ||
Ballade for Flute, String Orchestra and Piano | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Roderick elms, Celia Chambers | B Major | 1 | 1B | 88 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Songs of Ariel (from Shakespeare's "The Tempest"): III. Before you can say "Come," and "Go" | Frank Martin, Phoenix Bach Choir, Charles Bruffy | B Major | 1 | 1B | 133 BPM |