"Chant élégiaque, Op. 24" by Florent Schmitt, Alain Meunier, Anne Le Bozec was released on February 22, 2019. Since Chant élégiaque, Op. 24 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Fauré, Koechlin & Schmitt: Œuvres pour violoncelle et piano by Alain Meunier, Anne Le Bozec. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Chant élégiaque, Op. 24 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chant élégiaque, Op. 24 by Florent Schmitt, Alain Meunier, Anne Le Bozec is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psaume XLVII, Op. 38: Gloire au Seigneur! | Florent Schmitt, Yan Pascal Tortelier, Orquestra Sinfônica Do Estado De São Paulo, Nelson Silva, Coral Paulistano, Naomi Munakata, Tiago Pinheiro | E Minor | 3 | 9A | 136 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Clarinet Quintet in B-Flat Major, Op. 34: I. Allegro | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée | Florent Schmitt, Alain Raës | G Major | 2 | 9B | 118 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 148 BPM | ||
La oración del torero, Op. 34 (Version for String Orchestra) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 82 BPM |