"Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento" by Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas was released on July 17, 1990. The duration of Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 7 in Ciurlionis: Sea (The) / In the Forest / Five Preludes by Mikalojus Konstantinas Čiurlionis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento by Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Concerto Grosso, Op. 6: No. 2 in F Major, HWV 320: II. Allegro | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | D Minor | 3 | 7A | 94 BPM | ||
Symphony No. 1 in C Minor, B. 9, "The Bells of Zlonice": I. Allegro | Antonín Dvořák, Slovak Philharmonic, Stephen Gunzenhauser | C Minor | 2 | 5A | 142 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Piano Sonata in F major, VL 155: II. Andante | Mikalojus Konstantinas Čiurlionis, Mūza Rubackytė | D♭ Major | 0 | 3B | 83 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM |