Florent Schmitt, Alain Raës's 'Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée' came out on 1985. With Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Schmitt: Piano Musics". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée by Florent Schmitt, Alain Raës having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers | Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec | E♭ Major | 1 | 5B | 137 BPM | ||
Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Pupazzi, Op. 36: No. 6, Atys | Florent Schmitt, Biljana Urban | A♭ Minor | 1 | 1A | 81 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM |