Oktavian Ensemble's 'Harmoniemusik Zu Don Giovanni: Vedrai, Carino' came out on March 22, 2010. The duration of Harmoniemusik Zu Don Giovanni: Vedrai, Carino is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Harmoniemusik Zu Don Giovanni: Vedrai, Carino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Oktavian Ensemble". In this album, this song's track order is #8. Based on our statistics, Harmoniemusik Zu Don Giovanni: Vedrai, Carino's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmoniemusik Zu Don Giovanni: Vedrai, Carino by Oktavian Ensemble having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | D♭ Minor | 2 | 12A | 98 BPM | ||
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
Symphonie Concertante in A Major, Op. 9 No. 2: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | B♭ Major | 0 | 6B | 126 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Die Schöpfung | Joseph Haydn, Oktavian Ensemble, Franz Strasser | C Minor | 0 | 5A | 69 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Musette guerrière | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM |