Kurpfälzisches Kammerorchester Mannheim, Wolfgang Amadeus Mozart, Hca, Jakob Händel, Florian Heyerick made "Cassation In B Flat Major Kv 99: Marcia" available on March 28, 2007. The duration of Cassation In B Flat Major Kv 99: Marcia is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Cassation In B Flat Major Kv 99: Marcia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Burkhard Glaetzner's "Mozart Edition Volume 22" album is number 8 out of 77. Based on our statistics, Cassation In B Flat Major Kv 99: Marcia's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cassation In B Flat Major Kv 99: Marcia by Kurpfälzisches Kammerorchester Mannheim, Wolfgang Amadeus Mozart, Hca, Jakob Händel, Florian Heyerick to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Suite for string orchestra: 4. Presto - Adagio - Presto | Leoš Janáček, Los Angeles Chamber Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 142 BPM | ||
ピアノ協奏曲 第23番 イ短調 K.488 第ニ楽章 アダージョ | ザルツブルク・モーツァルテウム管弦楽団 | G Minor | 1 | 6A | 68 BPM | ||
精霊の踊り | Christoph Willibald Gluck, Ayako Takagi | A Minor | 1 | 8A | 89 BPM | ||
Armida, Atto primo Scena 1: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | F Major | 1 | 7B | 97 BPM | ||
Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": V. Aria di postiglione | Johann Sebastian Bach, Angela Hewitt | B♭ Major | 1 | 6B | 96 BPM | ||
Overture in E-Flat Major, Op. 1, No. 4: III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 141 BPM | ||
Achmet und Zenide, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | ||
Symphony No. 3 in G Major, Hob.I:3: IV. Finale: Alla breve | Joseph Haydn, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Major | 3 | 10B | 96 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM |