Antonio Salieri, Les Talens Lyriques, Christophe Rousset made "Armida, Atto primo Scena 1: Ballo" available on January 22, 2021. With Armida, Atto primo Scena 1: Ballo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #3. In terms of popularity, Armida, Atto primo Scena 1: Ballo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Armida, Atto primo Scena 1: Ballo by Antonio Salieri, Les Talens Lyriques, Christophe Rousset having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida, Atto Terzo Scena 1: Chi sorde vi rende (Coro, Armida) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur, Lenneke Ruiten | F Minor | 2 | 4A | 88 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Prima la musica e poi le parole: Scene 3: Alfin la prova ha terminato in buffo (Maestro, Poeta) | Antonio Salieri, Graziano Polidori, Giorgio Gatti, Maria Casula, Kate Gamberucci, Orchestra da Camera della Filarmonica della Boemia del Nord, Domenico Sanfilippo | G Major | 1 | 9B | 115 BPM | ||
Sinfonia Veneziana: I. Allegro assai | Antonio Salieri, Matthias Bamert, London Mozart Players | A Minor | 2 | 8A | 80 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Symphony in D Major | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | A Major | 1 | 11B | 118 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM |