Johann Nepomuk Hummel, Howard Shelley, London Mozart Players's 'Theme and Variations in F Major, Op. 97: Theme' came out on February 1, 2001. With Theme and Variations in F Major, Op. 97: Theme being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Nepomuk Hummel, Howard Shelley, London Mozart Players's "Hummel: Piano Concertos" album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Theme and Variations in F Major, Op. 97: Theme's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Theme and Variations in F Major, Op. 97: Theme by Johann Nepomuk Hummel, Howard Shelley, London Mozart Players to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in C Minor: III. Presto assai | William Herschel, Matthias Bamert, London Mozart Players | F Minor | 1 | 4A | 151 BPM | ||
Symphony in G Minor, Op. 1, No. 1, (Callen 1): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | C Major | 0 | 8B | 102 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major, WoO 1: I. Allegro con spirito | Johann Nepomuk Hummel, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | D Major | 2 | 10B | 160 BPM | ||
Keyboard Concerto in D Major, Op. 7, No. 3, W. C57: I. Allegro con spirito | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | A Major | 1 | 11B | 134 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Variations on a Russian Folk Song - for String Quartet: Variation 10. Finale, Allegro: Sokolov | Nikolai Rimsky-Korsakov, Alexander Scriabin, Kuss Quartet | D Major | 1 | 10B | 133 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live | Ludwig van Beethoven, Jonathan Biss, Swedish Radio Symphony Orchestra, David Afkham | B Major | 0 | 1B | 85 BPM | ||
Horn Concerto No. 3 in E-flat Major, K. 447: i. Allegro maestoso | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 117 BPM | ||
Das listige Bauernmädchen: No. 5, Andante con moto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM |