"Act I: Che gelida manina" by Giacomo Puccini, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra was released on October 31, 2008. With this song being about 5 minutes long, at 4:41, "Act I: Che gelida manina" by Giacomo Puccini, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in Domingo Sings Romantic Puccini by Giacomo Puccini, Plácido Domingo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Act I: Che gelida manina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I: Che gelida manina by Giacomo Puccini, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Pinkerton, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 118 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 1 | 2B | 81 BPM | ||
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 84 BPM |