"Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being about 5 minutes long, at 5:23, "Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Tosca / Act 2: "Chi è là?" | Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | E Minor | 2 | 9A | 125 BPM | ||
Puccini: Gianni Schicchi: Dunque era vero! Noi vedremo i frati | Giacomo Puccini, Tito Gobbi, Cecilia Fusco, Renzo Casellato, Jolanda Gardino, Mario Carlin, Liliana Rossi Perino, Carlo Ambrosoni, Angelo Nosotti, Paolo Montarsolo, Mario Basiola, Luisella Ciaffi, Giorgio Onesti, Carlo Badioli, Cristiano Dalamangas, Enzo Viaro | A♭ Major | 4 | 4B | 151 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 169 BPM | ||
Tosca / Act III: "Mario Cavaradossi?" - "A voi" | Giacomo Puccini, José Carreras, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 96 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM |