"L' Ascension: Transports de joie d'une âme devant la gloire du Christ qui est la sienne" by Olivier Messiaen, Stephen Cleobury was released on 1993. With this song being about 5 minutes long, at 4:36, "L' Ascension: Transports de joie d'une âme devant la gloire du Christ qui est la sienne" by Olivier Messiaen, Stephen Cleobury is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Organ Favourites from King's College, Cambridge". In this album, this song's track order is #4. L' Ascension: Transports de joie d'une âme devant la gloire du Christ qui est la sienne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L' Ascension: Transports de joie d'une âme devant la gloire du Christ qui est la sienne by Olivier Messiaen, Stephen Cleobury having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Ravel: Miroirs, M. 43: I. Noctuelles | Maurice Ravel, Anne Queffélec | F Minor | 1 | 4A | 104 BPM | ||
Saint Francois D'Assise / Premier Acte: Premier Tableau: La Croix: Un peu vif - "J'ai peur, sur la route" - 1ère strophe (Frére Léon, Saint Francois) | Olivier Messiaen, José van Dam, Urban Malmberg, Jeanne Loriod, Hallé, Kent Nagano | D♭ Major | 2 | 3B | 132 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM |