Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher made "Courante e variatio" available on 2005. The duration of Courante e variatio is about 3 minutes long, at 3:09. Based on our data, "Courante e variatio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Schmelzer: Sonatae a violino solo". In this album, this song's track order is #21. Furthermore, we believe that the track originated from France. Based on our statistics, Courante e variatio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Courante e variatio by Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sinfonia No. 6 in G minor (arrangement of oratorio sinfonia San Elena al Calvario): Sant' Elena al Calvario: Introduzione, "Sinfonia No. 6 in G Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Suite in B Minor, Op. 5, No. 4: V. Grave | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | A Minor | 0 | 8A | 0 BPM |