Pyotr Ilyich Tchaikovsky, Isaac Stern, Philadelphia Orchestra, Eugene Ormandy's 'Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait)' came out on March 29, 2024. Since Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. In terms of popularity, Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) by Pyotr Ilyich Tchaikovsky, Isaac Stern, Philadelphia Orchestra, Eugene Ormandy having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Minor | 0 | 5A | 67 BPM | ||
The Shape of Water | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Rosamunde, D. 797: Overture - Remastered 2024 | Franz Schubert, London Symphony Orchestra, Josef Krips | C Major | 1 | 8B | 141 BPM | ||
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM |