"Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse)" by Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko was released on April 26, 2024. Since Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Rachmaninoff: Symphonic Dances". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) by Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Recomposed: Vivaldi - The Four Seasons: Spring 3 | Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra | F Minor | 2 | 4A | 107 BPM | ||
There Will Come | Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis | B♭ Major | 1 | 6B | 67 BPM | ||
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Romances, Op. 21: No. 12, 'How Painful for Me' (Arr. For Solo Piano by A.Schaefer) | Sergei Rachmaninoff, Irene Cantos | G Minor | 1 | 6A | 68 BPM | ||
Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |