"Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet" by Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste had its release date on September 27, 1997. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Romeo and Juliet, Op. 64". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Finland. Based on our statistics, Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet by Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Concerto in A Minor for Oboe and Orchestra, RV 461: I. Allegro non molto | The St. Petersburg Soloists, Vladimir Kurlin | F Major | 2 | 7B | 146 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene) | Giuseppe Verdi, Carlo Rizzi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 1 | 4B | 105 BPM | ||
Coriolan Overtura Op 62 | Orquesta Sinfónica de Berlín | F Minor | 1 | 4A | 75 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Pavane Op.50 | Paris France Royal Philharmonic Orchestra | F♯ Minor | 2 | 11A | 87 BPM | ||
Grieg: Peer Gynt, Op. 23, Act II: No. 7, In the Hall of the Mountain King | Edvard Grieg, Paavo Järvi, Ellerhein Girls' Choir, Estonian National Male Choir, Estonian National Symphony Orchestra | B Minor | 2 | 10A | 115 BPM | ||
Egmont, Op. 84 | Slovak Philharmonic, Ludwig van Beethoven, Johann Wolfgang von Goethe | F Minor | 1 | 4A | 80 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM |