Giuseppe Verdi, Carlo Rizzi, Orchestra dell'Accademia Nazionale di Santa Cecilia's ' "Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene)" was released on its scheduled release date, December 9, 2008. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 40 Most Beautiful Classical Anthems, so we believe that "Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene)" is a single. In terms of popularity, Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene) by Giuseppe Verdi, Carlo Rizzi, Orchestra dell'Accademia Nazionale di Santa Cecilia is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Slavonic Dances, Series 1, Op. 46, B. 83: No. 8 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | A Minor | 0 | 8A | 150 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46 - 1. Morgenstemning (Morning Mood) | The Royal Festival Orchestra | E Major | 1 | 12B | 139 BPM | ||
Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Galop | Jacques Offenbach, Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 7 | 8B | 92 BPM | ||
Carnival of the Animals, R. 125: XIV. Finale | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 93 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |