"The Nutcracker, Op.71, TH.14 / Act 1: No. 6 Clara and the Nutcracker" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on October 5, 1998. The Nutcracker, Op.71, TH.14 / Act 1: No. 6 Clara and the Nutcracker is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: The Nutcracker". In this album, this song's track order is #7. The Nutcracker, Op.71, TH.14 / Act 1: No. 6 Clara and the Nutcracker is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op.71, TH.14 / Act 1: No. 6 Clara and the Nutcracker by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pyotr Il'yich Tchaikovsky : Life and Works: Music: Dance of the Sugar Plum Fairy (The Nutcracker) | Jeremy Siepmann, Malcolm Sinclair | E Minor | 1 | 9A | 120 BPM | ||
Concerto Grosso In F Minor, Op.1, No.8 "Christmas Concerto": 3. Grave | Pietro Locatelli, Thomas Brandis, Emil Maas, Dietrich Gerhardt, Hans Priem, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 2 | 3A | 85 BPM | ||
The Nutcracker, Op.71, TH.14 / Act 2: No. 12f Polchinelle (The Clown) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 4 | 11B | 82 BPM | ||
Variation 1: Tarantella | San Francisco Ballet | D Major | 0 | 10B | 150 BPM | ||
Swan Lake, Op. 20a: VII. Danse napolitaine | Radio Bratislava Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Les Patineurs, Waltz, Op. 183 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | A Major | 2 | 11B | 99 BPM | ||
Seeing Is Believing | Alan Silvestri | C Minor | 4 | 5A | 80 BPM | ||
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
The Nutcracker, Op. 71: Act II: Tableau, Bild 3 - Scene | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | B♭ Major | 1 | 6B | 119 BPM | ||
Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 84 BPM |