San Francisco Ballet made "Variation 1: Tarantella" available on October 14, 2008. With Variation 1: Tarantella being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "San Francisco Ballet: Nutcracker". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Variation 1: Tarantella's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Variation 1: Tarantella by San Francisco Ballet having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Allan Clayton, Academy of Ancient Music | E♭ Major | 2 | 5B | 109 BPM | ||
The Nutcracker, Op. 71: Act II. Divertissement: Spanish Dance; Arabian Dance; Chinese Dance; Russian Dance; Toy Trumpets... | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | D Major | 1 | 10B | 148 BPM | ||
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No. 10 Sinfonia | Johann Sebastian Bach, Berliner Philharmoniker, Fritz Lehmann | G Major | 1 | 9B | 95 BPM | ||
Toccata And Fugue In D Minor, BWV 565 | Leopold Stokowski, Philadelphia Orchestra | D Minor | 1 | 7A | 83 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole | Georges Bizet, Atlanta Symphony Orchestra, Robert Shaw | D Major | 2 | 10B | 77 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 11, Chorus, "For unto us a Child is born" | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury | F♯ Major | 2 | 2B | 103 BPM | ||
Chinese Dance from The Nutcracker Suite, Op. 71a | London Symphony Orchestra | F Major | 3 | 7B | 125 BPM | ||
The Typewriter | Leroy Anderson, Alasdair Malloy, BBC Concert Orchestra, Leonard Slatkin | G Major | 1 | 9B | 158 BPM | ||
The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance | Bamberg Symphony, Jonel Perlea | B♭ Major | 3 | 6B | 129 BPM | ||
Bach, JS: Jesu, Joy of Man's Desiring (from Cantata No. 147, Herz und Mund und Tat und Leben, BWV 147) | Johann Sebastian Bach, François-René Duchâble | G Major | 1 | 9B | 99 BPM |