George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Allan Clayton, Academy of Ancient Music's 'Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"' came out on April 14, 2009. The duration of Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" is about 3 minutes long, at 3:21. Based on our data, "Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge's "Handel: Messiah" album is number 3 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" by George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Allan Clayton, Academy of Ancient Music to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Voluntary: In dulci jubilo, BWV 729 | Johann Sebastian Bach, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 131 BPM | ||
Franck: Messe à trois voix, Op. 12, FWV 61: Panis angelicus | César Franck, Diana Damrau, Raphael Alpermann, Riccardo Minasi, NDR Radiophilharmonie | A Major | 1 | 11B | 142 BPM | ||
Of the Father's heart begotten (Arr. David Willcocks) | Traditional (Piae Cantiones), Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin | E Major | 2 | 12B | 62 BPM | ||
Panis Angelicus | César Franck, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | A Major | 1 | 11B | 77 BPM | ||
Messiah: Part 3, The trumpet shall sound (Air, Bass) | The Sixteen | D♭ Major | 2 | 3B | 127 BPM | ||
Traditional: I Saw Three Ships: "I saw three ships come sailing in" (English Christmas Carol) | Traditional English, Choir of King's College, Cambridge, Edward Moore, Adrian Kelly, Stephen Cleobury | B♭ Major | 2 | 6B | 103 BPM | ||
God Rest You Merry, Gentlemen (Arr. David Willcocks) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Tom Etheridge | E Minor | 2 | 9A | 110 BPM | ||
Messiah: Part 1, But who may abide? (Air, Alto) | The Sixteen | D♭ Minor | 2 | 12A | 93 BPM | ||
Missa brevis In C, K.220 "Spatzenmesse": 6. Agnus Dei | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | F Major | 1 | 7B | 87 BPM | ||
Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 84 BPM |