The Sixteen's 'Messiah: Part 1, But who may abide? (Air, Alto)' came out on September 1, 2008. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 6 out of 56. In terms of popularity, Messiah: Part 1, But who may abide? (Air, Alto) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 1, But who may abide? (Air, Alto) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 97 BPM | ||
A Ceremony of Carols, Op. 28: No. 6, This little Babe | Benjamin Britten, Winchester College Quiristers, Katie Salomon, Malcolm Archer | A♭ Minor | 1 | 1A | 69 BPM | ||
When I survey the wondrous Cross | Edward Miller, The Cambridge Singers, John Scott, John Rutter | E♭ Major | 1 | 5B | 78 BPM | ||
A Spotless Rose (Live): A Spotless Rose | Herbert Howells, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 87 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Gloria sei dir gesungen (Chorus) | Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 171 BPM | ||
A Ceremony Of Carols, Op. 28: Spring Carol | Benjamin Britten, Sioned Williams, Libby Crabtree, Sally Dunkley, Harry Christophers | D Major | 0 | 10B | 63 BPM | ||
Mass No.6 In G Missa Sti. Nicolai, Hob. XXII No.6 "Nicolaimesse": Kyrie - Allegretto | Joseph Haydn, Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 1 | 10B | 149 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Sir Neville Marriner, Ann Murray, Barbara Hendricks, Academy of St. Martin in the Fields | F Major | 2 | 7B | 142 BPM | ||
Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
Mid-Winter Songs: No. 2. Like snow | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | B Major | 0 | 1B | 130 BPM |