"Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten" by Arleen Auger was released on January 1, 2000. Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 8 out of 38 in Auger, Arleen: Arias by Arleen Auger. Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il matrimonio segreto / Act 1: Cara, non dubitar | Domenico Cimarosa, Ryland Davies, Arleen Auger, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 3 | 6B | 109 BPM | ||
The Snow Maiden (second version): Dance of the Tumblers (Act III) | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !" | Gustav Mahler, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, Dame Janet Baker, City Of Birmingham Symphony Orchestra | F Minor | 0 | 4A | 89 BPM | ||
Schubert: Auf dem See, Op. 92 No. 2, D. 543 | Joseph Schubert, Arleen Auger, Lambert Orkis | C Major | 0 | 8B | 80 BPM | ||
Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | ||
I Puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Luciano Pavarotti, Arleen Auger, Reid Bunger, Herbert Lackner, Vienna Opera Orchestra & Chorus, Nicola Rescigno | D Major | 3 | 10B | 78 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Ouverture in E Minor, TWV 55:e1: III. Rondeau | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | F♯ Major | 0 | 2B | 149 BPM | ||
Schubert: 4 Lieder, Op. 106: No. 4, An Sylvia, D. 891 | Franz Schubert, Arleen Auger, Lambert Orkis | E♭ Major | 2 | 5B | 84 BPM | ||
Il matrimonio segreto / Act 1: Orsù, saper conviene | Domenico Cimarosa, Dietrich Fischer-Dieskau, Arleen Auger, Julia Varady, Julia Hamari, Alberto Rinaldi, Ryland Davies, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 111 BPM |