Joseph Schubert, Arleen Auger, Lambert Orkis's 'Schubert: Auf dem See, Op. 92 No. 2, D. 543' came out on July 5, 2010. The duration of Schubert: Auf dem See, Op. 92 No. 2, D. 543 is about 3 minutes long, at 3:27. Based on our data, "Schubert: Auf dem See, Op. 92 No. 2, D. 543" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Schubert : Lieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Schubert: Auf dem See, Op. 92 No. 2, D. 543 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Auf dem See, Op. 92 No. 2, D. 543 by Joseph Schubert, Arleen Auger, Lambert Orkis having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renouveau | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | E♭ Major | 1 | 5B | 71 BPM | ||
O del mio dolce ardor - Live | Christoph Willibald Gluck, Angela Gheorghiu | D Major | 1 | 10B | 100 BPM | ||
La forza del destino, Act III, Scene III: Lorchè pifferi e tamburi | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Anna Maria Chiuri, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Le plus beau présent | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | A♭ Major | 0 | 4B | 70 BPM | ||
Britten: Folksong Arrangements, Book 1 "British Isles": No. 1, The Salley Gardens | Benjamin Britten, Robert Tear, Philip Ledger | D♭ Major | 1 | 3B | 112 BPM | ||
In mir klingt ein Lied | Frédéric Chopin, Jonas Kaufmann, Helmut Deutsch | E Major | 1 | 12B | 89 BPM | ||
Ständchen, D. 920 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg, Swedish Radio Choir, Gunnar Andersson | C Major | 3 | 8B | 103 BPM | ||
Yunus Emre Oratoryosu: No.3 Aria "Ağlamaktır Benim İşim" | Ahmet Adnan Saygun, Yunus Emre, Fazıl Say, Senem Demircioğlu | C Minor | 1 | 5A | 94 BPM | ||
Der Wächter tutet in sein Horn | Traditional, Hans Christoph Begemann, Sabine Schubert-Kessler, Thomas Seyboldt | D Major | 10 | 10B | 176 BPM |