"I Puritani / Act 1: "A te, o cara"" by Vincenzo Bellini, Luciano Pavarotti, Arleen Auger, Reid Bunger, Herbert Lackner, Vienna Opera Orchestra & Chorus, Nicola Rescigno was released on January 1, 1971. Since I Puritani / Act 1: "A te, o cara" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tenor Arias from Italian Opera". In this album, this song's track order is #2. I Puritani / Act 1: "A te, o cara" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Puritani / Act 1: "A te, o cara" by Vincenzo Bellini, Luciano Pavarotti, Arleen Auger, Reid Bunger, Herbert Lackner, Vienna Opera Orchestra & Chorus, Nicola Rescigno having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra | E Major | 0 | 12B | 87 BPM | ||
Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre" | Georges Bizet, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 4 | 3A | 103 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Giorgio Lamberti, Alan Titus, Graciela Alperyn, Doina Palade, Ann Liebeck, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Minor | 1 | 9A | 73 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Norma: Norma, Act I: Casta diva | Vincenzo Bellini, Marina Mescheriakova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Michael Halasz | D Major | 3 | 10B | 56 BPM |