Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien's 'Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth' came out on December 26, 2020. Since Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 94 out of 125 in Au revoir 2020! by Johann Strauss II, Ludwig van Beethoven, Antonio Vivaldi. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. The popularity of Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth by Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien is Presto (very, very fast), since this song has a tempo of 178 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Wir Wollen Gemeinsam Singen | Vienna Boys' Choir | A Major | 4 | 11B | 110 BPM | ||
Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Soprano, Harp & Chorus) | The Cathedral Singers, Lorelei McDermott, Stephen Hartman | B♭ Major | 1 | 6B | 91 BPM | ||
Strauss, Johann II: An der schönen blauen Donau, Op. 314 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | D Major | 1 | 10B | 104 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM |