"2 Impromptus: No. 1. Lent" by Jean Cras, Marie-Pierre Langlamet was released on March 1, 2013. 2 Impromptus: No. 1. Lent is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 5 out of 14 in Cras: Flute, harpe et cordes by Jean Cras, Philippe Graffin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 2 Impromptus: No. 1. Lent is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Impromptus: No. 1. Lent by Jean Cras, Marie-Pierre Langlamet is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM | ||
Flute Quartet No. 1 in D Major, K. 285: II. Adagio | Wolfgang Amadeus Mozart, Helena Macherel, Simon Blendis, Judith Busbridge, Sebastian Comberti | D Major | 0 | 10B | 82 BPM | ||
12 Romances, Op.21 No.7: How fair this spot | Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion | F♯ Minor | 0 | 11A | 89 BPM | ||
Polypheme: Act IV Tableau 5: Scene 3: Les feux du jour sont apaises (Choir) | Jean Cras, Armand Arapian, Sophie Marin-Degor, Yann Beuron, Valerie Debize, Remi Corbier, Laure Baert, Ile de France Vittoria Regional Choir, Luxembourg Philharmonic Orchestra, Bramwell Tovey | F Major | 1 | 7B | 61 BPM | ||
Kreisler: Caprice viennois, Op. 2 | Fritz Kreisler, Tasmin Little, Piers Lane | B Major | 2 | 1B | 173 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM |