"Fünf Lieder: Die Stille Stadt" by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Fünf Lieder: Die Stille Stadt is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Fünf Lieder: Die Stille Stadt's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #24 out of 31 tracks. Fünf Lieder: Die Stille Stadt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder: Die Stille Stadt by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Fünf Lieder: Die Stille Stadt being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
String Quartet No. 6 Op.80 in F minor: III Adagio | Felix Mendelssohn, Quatuor Ébène | A♭ Major | 1 | 4B | 117 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Recitative: Ah! Sul bel labbro Amore - Aria: Basta che sol tu chieda (Argante) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
Part Three, Scene XI: The Protector, Agnès and the Boy | George Benjamin, Christopher Purves, Barbara Hannigan, Bejun Mehta, Rebecca Jo Loeb, Allan Clayton, Mahler Chamber Orchestra | G Minor | 1 | 6A | 96 BPM | ||
Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft | Anton Webern, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Sieben Frühe Lieder: III. Die Nachtigall | Alban Berg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
4 Lieder: No. 3. Ansturm (Onslaught) | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Minor | 2 | 8A | 123 BPM | ||
Vier Lieder: No. 4, Erntelied | Alma Mahler, Elise Caluwaerts, Marianna Shirinyan | D Major | 1 | 10B | 77 BPM |