"4 Lieder: No. 3. Ansturm (Onslaught)" by Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach was released on January 1, 1987. With 4 Lieder: No. 3. Ansturm (Onslaught) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alma Mahler, Isabel Lippitz's "Mahler, A.: 5 Lieder / 5 Gesange / 4 Lieder" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 4 Lieder: No. 3. Ansturm (Onslaught)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 4 Lieder: No. 3. Ansturm (Onslaught) by Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2: I. Sostenuto - Allegro molto | Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 2 | 4A | 169 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Mozart: Das Traumbild, K. 530 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
Les biches - Suite: Rondeau | Francis Poulenc, Orchestre National De France, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Songs of Separation: III. Dance | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | D♭ Major | 3 | 3B | 68 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM |