"Macbeth: "Ah La Paterna Mano"" by Eliezer Kepecs, Antonello Gotta, Compagnia d'Opera Italiana Orchestra was released on December 2, 2013. The duration of Macbeth: "Ah La Paterna Mano" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Macbeth: "Ah La Paterna Mano"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eliezer Kepecs's "Introducing... Eliezer Kepecs' Greatest Hits" album is number 10 out of 41. Macbeth: "Ah La Paterna Mano" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Macbeth: "Ah La Paterna Mano" by Eliezer Kepecs, Antonello Gotta, Compagnia d'Opera Italiana Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Bizet: Carmen, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Genia Kühmeier | B♭ Major | 1 | 6B | 96 BPM | ||
Pagliacci / Act 2: "O Colombina, il tenero fido Arlecchin" - "Di fare il segno" | Ruggero Leoncavallo, Ernesto Gavazzi, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 75 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Air des bijoux | Charles Gounod, Anna Moffo, Tullio Serafin | E Major | 1 | 12B | 117 BPM | ||
Bellini: La sonnambula, Act 1: "Viva! Viva Amina!...tutto è gioia, tutto è festa" (Chorus, Lisa, Alessio) | Vincenzo Bellini, Fiorenza Cossotto, Coro Del Teatro Alla Scala Di Milano, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | B♭ Major | 1 | 6B | 91 BPM | ||
Il Barbiere di Siviglia: Il Conte! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | G Major | 1 | 9B | 82 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM |