"Pulcinella, K 034: IV. Tarantella" by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons was released on 1996. The duration of Pulcinella, K 034: IV. Tarantella is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Pulcinella, K 034: IV. Tarantella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Stravinsky: Pulcinella". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Pulcinella, K 034: IV. Tarantella is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pulcinella, K 034: IV. Tarantella by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": II. Larghetto | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 151 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 108 BPM | ||
Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik) | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Symphony No. 3 in D, D.200: IV. Presto. Vivace | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 98 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Scherzo in B-Flat Major - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | D Major | 0 | 10B | 104 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 118 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): II. Music from Scene 1 | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | G Major | 0 | 9B | 100 BPM |