Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta made "Carmen Fantasy, Op. 25: I. Moderato" available on January 1, 1987. The duration of Carmen Fantasy, Op. 25: I. Moderato is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: I. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sarasate: Carmen-Fantasy / Ravel: Tzigane / Saint-Saëns: Introduction & Rondo Capriccioso; Havanaise / Chausson: Poème". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmen Fantasy, Op. 25: I. Moderato is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | ||
Symphony No.2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Sehr gemächlich - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 130 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM |