On July 15, 2010, the song "Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance"" was released by The London Symphony Orchestra & I Fiamminghi. With Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 13 in Famous Wedding Music, Vol. 2 by The London Symphony Orchestra & I Fiamminghi. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" by The London Symphony Orchestra & I Fiamminghi is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart - Wedding March, from The Marriage of Figaro | L'Inviti Players | C Major | 1 | 8B | 128 BPM | ||
Symphony No. 9 "Choral" in D minor, Op. 125: IV. Finale allegro molto assai "Ode to Joy" | The London Symphony Orchestra & I Fiamminghi | D Major | 4 | 10B | 142 BPM | ||
Cradle Song, Op. 49, N°4 | Yuli Lavrénov | F Major | 0 | 7B | 68 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Gaite Parisienne (after J. Offenbach): 8.Valse lente | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 68 BPM | ||
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki | D Minor | 1 | 7A | 109 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
The Sleeping Beauty, Op. 66: Introduction - 'The Lilac Fairy' | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | B Major | 1 | 1B | 153 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Quadrille ohne Titel, Op. 248 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM |