"Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace" by Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki was released on February 7, 2017. Since Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Penderecki, Dvorak: Sinfonia Varsovia". In this album, this song's track order is #4. In terms of popularity, Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace by Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | Johannes Brahms, David Zinman | E Major | 0 | 12B | 142 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM |