Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Quadrille ohne Titel, Op. 248' came out on December 3, 2013. With this song being about 5 minutes long, at 5:06, "Quadrille ohne Titel, Op. 248" by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss I, Christian Pollack, Slovak Sinfonietta, Zilina's "Johann Strauss I Edition, Vol. 25" album is number 8 out of 10. Quadrille ohne Titel, Op. 248 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quadrille ohne Titel, Op. 248 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
La Bayadère / Act 2: No.39 Vivace (No.13) (original Pavlova material) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 3 | 10B | 75 BPM | ||
La fille mal gardée / Act 1: 1. Intro 2. Dance 3. Lise And The Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 126 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 1 In G Major | Slovak Sinfonietta, Zilina, Johann Strauss I | G Major | 3 | 9B | 133 BPM | ||
Wettrennen-galoppe, Op. 29a | Slovak Sinfonietta, Zilina, Johann Strauss I | D Major | 2 | 10B | 150 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Minor | 5 | 7A | 168 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM |