Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov made "Paquita: Variation 2: Tempo di valse (by Pouni)" available on January 1, 1995. With Paquita: Variation 2: Tempo di valse (by Pouni) being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Boris Spassov's "Minkus, L.: Bayadere (La) / Paquita [Ballets]" album is number 22 out of 30. Paquita: Variation 2: Tempo di valse (by Pouni) is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Paquita: Variation 2: Tempo di valse (by Pouni) by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 3 | 9B | 126 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Tausendsapperment-Walzer, Op. 61 | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | E Major | 1 | 12B | 173 BPM | ||
Debussy: Petite suite, CD 71, L. 65: III. Menuet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 103 BPM | ||
Graduation Ball - Arranged by A. Dorati from various Strauss works: Divertimenti: 4. Virtuoso Polka | Johann Strauss II, Wiener Philharmoniker, Antal Doráti | F Major | 1 | 7B | 106 BPM | ||
Schwanensee, Op. 20: Act III: Andantino: Men's Variation | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 125 BPM | ||
Act II: 1st Gypsy Dance (Minkus) | Mariinsky Orchestra | A Minor | 5 | 8A | 76 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | ||
Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | E♭ Minor | 1 | 2A | 104 BPM |