Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia made "Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro" available on June 7, 2004. The duration of Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. Based on our statistics, Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Allegro moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 82 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
Elite Syncopations | Scott Joplin, The Orchestra Of The Royal Ballet, Philip Gammon | A Major | 3 | 11B | 168 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Charles Gounod: Faust-Walzer aus der Oper " Margarethe " | Ein grosses Orchester, Michael Scholowsky | D Major | 2 | 10B | 197 BPM |