Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi, Fritz Ollendorff's 'Il Barbiere di Siviglia, Act II: Don Basilio!...Cosa veggo! (Rosina/Conte/Figaro/Bartolo/Basilio)' came out on 1958. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 53 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #17. Il Barbiere di Siviglia, Act II: Don Basilio!...Cosa veggo! (Rosina/Conte/Figaro/Bartolo/Basilio) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Barbiere di Siviglia, Act II: Don Basilio!...Cosa veggo! (Rosina/Conte/Figaro/Bartolo/Basilio) by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi, Fritz Ollendorff having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
L'Orfeo: Toccata | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | F♯ Minor | 3 | 11A | 129 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Alceste (1997 Digital Remaster): Divinités du Styx | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | F Major | 1 | 7B | 86 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM |