"The Planets, Op. 32: V. Saturn, the Bringer of Old Age" by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes was released on September 2, 2016. Since The Planets, Op. 32: V. Saturn, the Bringer of Old Age is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Planets". In this album, this song's track order is #5. The Planets, Op. 32: V. Saturn, the Bringer of Old Age is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: V. Saturn, the Bringer of Old Age by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | G Minor | 2 | 6A | 158 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Undertow | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Minor | 4 | 4A | 150 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Rodeo: I. Buckaroo Holiday | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Major | 1 | 7B | 116 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM |