Marin Marais, Leif Henrikson, Lars-Erik Larsson's ' "Suite in G Major: IV. Gigue la precieuse" was released on its scheduled release date, April 22, 2016. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Leif Henrikson, Lars-Erik Larsson's "Marin Marais: Pièces de violes Cinquième livre" album is number 11 out of 25. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Suite in G Major: IV. Gigue la precieuse is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite in G Major: IV. Gigue la precieuse by Marin Marais, Leif Henrikson, Lars-Erik Larsson to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Romanesca (Recercada VII) | Diego Ortiz, Jordi Savall | G Minor | 3 | 6A | 118 BPM | ||
Suite En Mi Mineur: Prelude, II.96 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 108 BPM | ||
Entrée - Air pour les Paysans et Paysanes | Jean-Baptiste Lully, Andrew Lawrence-King | C Major | 0 | 8B | 68 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: II. Adagio | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | E Major | 1 | 12B | 101 BPM | ||
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM |