"5e livre de viole: Prélude en harpègement: rondement" by Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi was released on January 1, 2002. The duration of 5e livre de viole: Prélude en harpègement: rondement is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 5e livre de viole: Prélude en harpègement: rondement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Sophie Watillon's "Marais: La Rêveuse, & autres pièces de viole" album is number 2 out of 12. In terms of popularity, 5e livre de viole: Prélude en harpègement: rondement is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5e livre de viole: Prélude en harpègement: rondement by Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Jewish Traditional: Song In Remembrance of Schubert | Alexander Tcherepnin, Franck Krawczyk, Sinfonia Varsovia | F Minor | 0 | 4A | 78 BPM | ||
Pieces de viole, Book 4: Suitte d'un gout Etranger in F Minor: No. 64. Le Tourbillon | Marin Marais, Markku Luolajan-Mikkola, Annamari Polho, Eero Palviainen, Mika Suihkonen | F Minor | 1 | 4A | 143 BPM | ||
Obsecro Te | Josquin des Prez, Ariel Abramovich, Lee Santana | C Minor | 0 | 5A | 86 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Scene 6: The Somnambulist | Philip Glass | A Minor | 0 | 8A | 116 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM |