"V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)" by Gerald Cohen, Kathryn Palange, Gregory Wood, David Abrams, Alice Lee, Barbara Tagg was released on January 1, 2007. The duration of V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank) is about 3 minutes long, at 3:20. Based on our data, "V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 16 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank) by Gerald Cohen, Kathryn Palange, Gregory Wood, David Abrams, Alice Lee, Barbara Tagg to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Gandrille: Stabat Mater | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Rückert Lieder: V. Ich bin der Welt abhanden gekommen (Transcr. Gottwald for Choir) | Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 4 | 11A | 107 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
Miks Ma Ei Tapa Ennast | Kamerkoor JIP, Diederik van der Laag, Imre Ploeg | D Minor | 3 | 7A | 122 BPM | ||
A Litany for soprano, baritone, chorus & orchestra: Part 3 'For that fair blessed mother-maid'. Adagio | George Lloyd, Jeremy White, Guildford Choral Society, Philharmonia Orchestra, Janice Watson | A♭ Major | 1 | 4B | 107 BPM | ||
Einzug des Chores: Laudate omnes gentes | Jacques Berthier, Bach-Chor Siegen, Ulrich Stötzel | A Minor | 2 | 8A | 86 BPM |