"Requiem, Op. 9: III. Domine Jesu Christe" by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet was released on March 7, 2012. Since Requiem, Op. 9: III. Domine Jesu Christe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 17 in Duruflé: Requiem by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Requiem, Op. 9: III. Domine Jesu Christe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: III. Domine Jesu Christe by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Jesus, Dearest Friend to Me SHZ 320 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM | ||
Osculetur me: I. Osculetur me osculo oris sui | Pierre de Manchicourt, El León de Oro, Peter Phillips | C Minor | 2 | 5A | 134 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | F Major | 1 | 7B | 119 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Das ist der Tag des Herrn | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A Major | 1 | 11B | 112 BPM | ||
The Debate | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | A♭ Minor | 1 | 1A | 89 BPM | ||
Holy Spirit Mass: Creator Spirit | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 64 BPM | ||
When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
In coena Domini, MH 276: Judas mercator pessimus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Minor | 1 | 9A | 81 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM |