Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg's 'Fünf Lieder, Op. 49: IV. Wiegenlied' had a release date set for January 1, 1990. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 24 in Brahms: Lieder by Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fünf Lieder, Op. 49: IV. Wiegenlied is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fünf Lieder, Op. 49: IV. Wiegenlied by Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Tristan und Isolde, WWV 90 / Act III: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm | E Major | 3 | 12B | 92 BPM | ||
Four Songs, Op. 2: Oriental Romance | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 0 | 11A | 166 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Roméo et Juliette / Act 1: "Ah, je veux vivre" | Charles Gounod, Montserrat Caballé, New Philharmonia Orchestra, Reynald Giovaninetti | D Major | 0 | 10B | 98 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra | C Major | 1 | 8B | 72 BPM |