"Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)" by Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra had its release date on December 20, 2010. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Puccini Airs d'opéras". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) by Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Falangi celesti) | Arrigo Boito, Ambrosian Opera Chorus, London Symphony Orchestra, Julius Rudel | E Major | 1 | 12B | 86 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel dì, vedremo" (Butterfly) | Giacomo Puccini, Angela Gheorghiu, Anton Coppola, Orchestra Sinfonica di Milano Giuseppe Verdi | D♭ Major | 1 | 3B | 77 BPM | ||
Casta Diva | OperaBabes | D Minor | 3 | 7A | 67 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Lakmé H2O (Flower Duet) | Noel Vine, Jon Cohen, OperaBabes | B Major | 3 | 1B | 122 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Sherrill Milnes, Huguette Tourangeau, Joan Sutherland, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 174 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM |