"Liebeslied (arr. for viola and piano)" by Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino was released on January 1, 1999. The duration of Liebeslied (arr. for viola and piano) is about 3 minutes long, at 3:27. Based on our data, "Liebeslied (arr. for viola and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viola Recital: Bianchi, Luigi Alberto - Paganini, N. / Kreisler, F. / Sarasate, P. by Luigi Alberto Bianchi, Jacques Delacote. The song's track number on the album is #3 out of 11 tracks. Liebeslied (arr. for viola and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liebeslied (arr. for viola and piano) by Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Liebeslied (arr. for viola and piano) being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
60 Variations on Barucaba, Op. 14, MS 71: Group No. 3: Variation 12 | Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda | E Major | 1 | 12B | 140 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Ballade No. 3 in A Flat Major, Op. 47 | Frédéric Chopin, Seong-Jin Cho | A♭ Major | 1 | 4B | 67 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
24 Caprices for Violin, Op. 1: No. 4 in C Minor | Niccolò Paganini, David Garrett, Bruno Canino | F Minor | 2 | 4A | 97 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM | ||
Schumann Romance in A Major, Op.94 No.2: Robert Schumann | Mela Tenenbaum | A Major | 1 | 11B | 80 BPM |