"Schumann Romance in A Major, Op.94 No.2: Robert Schumann" by Mela Tenenbaum was released on 1995. With this song being about 5 minutes long, at 5:21, "Schumann Romance in A Major, Op.94 No.2: Robert Schumann" by Mela Tenenbaum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Schumann Romance in A Major, Op.94 No.2: Robert Schumann is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann Romance in A Major, Op.94 No.2: Robert Schumann by Mela Tenenbaum having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Ilya Kaler | C Major | 7 | 8B | 82 BPM | ||
Valse Melancolique No. 1 in C Minor | Carlos Marquez | C Minor | 3 | 5A | 124 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
Serenade | Rousseau | D Major | 0 | 10B | 65 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |