Igor Stravinsky, Leonard Bernstein made "The Soldier's Tale (Excerpts): Music to Scene 1" available on 1947. The duration of The Soldier's Tale (Excerpts): Music to Scene 1 is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Soldier's Tale (Excerpts): Music to Scene 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Soldier's Tale (Excerpts): Music to Scene 1 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Soldier's Tale (Excerpts): Music to Scene 1 by Igor Stravinsky, Leonard Bernstein is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM |